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Dasakatia

A colourful and popular performance is rendered by two members, one signer (Gayaka) and the other accompanist (Palia). The very word (Dasakathia) is derived from the word Das which means worshipper and Kathi means two pieces of sticks which produce a very sweet sound. This performance is ritualistic and secular in nature. The performers each holding a pair of sticks begin their performance in chorus with invocatory verses composed by the

local poets, each one striking his own sticks in perfect tune. The recitation of mythological themes in usually at the top of voice hypnotizes folk listeners.
The comment of Sukumar Ray on the performance of Daskathia appears to be interesting. Hence it may be less musical but more dramatic. The dramatic performance includes verbose stanzas of various types including pauranic episodes mixed with manly vigour. Luxurious in dress and with turban on head and wearing a long luish or silken coat, the two dasas create a visual attraction of the listeners by their gestures and postures.

This vocal recital is based on some patterns of tunes of inherent southern rural character. The form of inimitable type of music is a distinctive contribution of Ganjam district of South Orissa. Accentuation of the languages, breaking of syllables with notes, rigid pronunciations indicate a clear fusion of southern patterns in Oriya.

 
| Animal Mask dance | Baunsa Rani | Chaiti Ghoda | Dasakatia | Dhuduki Nacha | Prahalad Natak | Ghanta Mrudanga | Ghanta Patua | Ghoda Nacha | Kendera Gita | Pala | Ram Leela| Ghoomra | Gopala Laudi | Jatra | Jhoomar | Krishna Leela | Mahari Dance | Jodi Sankha | Kandhei Nacha | Kathi Nacha | Kela Keluni | Mahila Palla | Medha Nacha |

 
 
 
 
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